MTO Dissertation List

Dissertation Index

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Author	Title	Institution	Completed
Adams, Kyle	A New Theory of Chromaticism from the Late Sixteenth to the Early Eighteenth Century	CUNY Graduate Center	January 2008
Attar Ron	Analysis of Bela Bartok's Performances to Selected Compositions	Bar-Ilan University, Israel	June 2007
Ayotte, Benjamin McKay	Incomplete Ursatzformen Transferences in the Vocal Music of Heinrich Schenker	Michigan State University	May 2008
Byron, Avior	Schoenberg as Performer: An Aesthetics in Practice	Royal Holloway, University of London	June 2007
Danby, Judd	Array and Superarray Structure and Projection in Milton Babbitt's recent Orchestral Music	University of Illinois at Urbana-Champaign	November 1997
Derfler, Brandon	Single-Voice Transformations: A Model for Parsimonious Voice Leading	University of Washington	November 2007
Greitzer, Mary L	Tormented Voices	Harvard University	August 2007
Hoag, Melissa E.	Multiply-Directed Moments in the Music of Brahms	Indiana University	May 2008
ingiborishka	http://dealjoin.blogetery.com/2008/04/22/hello-world/ this is my first post on blog	PLHLBWcOuCxhl	January 2008
Joti Rockwell	Drive, Lonesomeness, and the Genre of Bluegrass Music	University of Chicago	June 2007
Malawey, Victoria L.	Temporal Process, Repetition, and Voice in Björk's Medúlla	Indiana University Bloomington	December 2007
Martins, Jos� Oliveira	Dasian, Guidonian, and other Affinity Spaces in Twentieth-Century Music	University of Chicago	March 2006
Petrocelli, Paolo	William Walton and the Violin Concerto in England between the 1900 and 1940	University of Rome	December 2007
Post, William D.	Part One: Emanations for Orchestra (original composition); Part Two: Anton Webern and the Golden Ratio: Temporal Proportions as a Formative Principle in Three Late Works, Opp. 27-29.	Kent State University	May 2007
Rivera, Gina	Apprehending Music Performance in the French Enlightenment	Harvard University	August 2007
Selvafiorita, Fabio	Genesi della forma nella Composizione Assistita al Computer: modelli teorici e prospettive poietiche nel'ambiente di programmazione OpenMusic (Genesis of form in Computer Aided Composition: theoretical models and poietical perspective)	Bologna University	January 2007
Sheehan, Paul J.	Twelve-Tone Entities, Inquisitorial Mind, and the Network Model of the Multitude: Analyzing Luigi Dallapiccola's Il prigioniero	Columbia University	November 2007
Steege, Benjamin A.	Material Ears: Hermann von Helmholtz, Attention, and Modern Aurality	Harvard University	April 2007
Stocken, Frederick	Anton Bruckner and Simon Sechter's Fundamental Bass Theory	Manchester University, UK	December 2007

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