| Author |
Title |
Institution |
Completed |
Antonio Jardim
| Music: vigency of poetical thinking | UFRJ Doctor in Poetics | December 1997 | Arndt, Matthew
| Schenker and Schoenberg on the Tone and the Genius | University of Wisconsin–Madison | August 2008 | Atkinson, Sean E
| An Analytical Model for the Study of Multimedia Compositions: A Case Study in Minimalist Music | Florida State University | April 2009 | Auerbach, Jennifer Sadoff
| Drafts, Page Proofs, and Revisions of Heinrich Schenker’s Der freie Satz: the Collection at the Austrian National Library and Schenker’s Generative Process | University of North Texas | May 2009 | Ballard, Jack D., Jr.
| Part One: The Castle (Ballet for Large Orchestra) and Part Two: Hyperextended Chord Tones: Chromatic Consonance in a Tertian Context | Kent State University | December 2008 | Bor, Mustafa
| Contour Reduction Algorithms: A Theory of Pitch and Duration Hierarchies for Post-Tonal Music | University of British Columbia | April 2009 | Clement, Brett
| A Study of the Instrumental Music of Frank Zappa | University of Cincinnati | July 2009 | Endrinal, Christopher James Scott
| Form and Style in the Music of U2 | Florida State University | April 2008 | Forrest, David L.
| Prolongation in the Choral Music of Benjamin Britten | Texas Tech University | May 2009 | Grall, Jeremy N.
| An Analytical Edition of Giovanni Kapsberger's "Partite sulla folia" for Chitarrone: Ornamentation, Performance Practices, and Compositional Structures in Kapsberger's Folia Variations | University of Memphis | April 2009 | Hoffmann, Peter
| Music Out of Nothing? A Rigorous Approach to Algorithmic Composition by Iannis Xenakis | Technische Universität Berlin | December 2009 | Iverson, Jennifer
| Historical Memory and György Ligeti's Sound-Mass Music, 1958-1968 | University of Texas at Austin | May 2009 | Lerch, Alexander
| Software-Based Extraction of Objective Parameters from Music Performances | Technical University Berlin | November 2008 | Mak, Su Yin
| Structure, Design, and Rhetoric: Variation Procedures in Selected Instrumental and Vocal Works by Franz Schubert | Eastman School of Music | January 2009 | Poudrier, Ève
| Toward a general theory of polymeter: Polymetric potential and realization in Elliott Carter's solo and chamber instrumental works after 1980 | City University of New York | September 2008 | Power, Richard S.
| An Analysis of Transformation Procedures in Gyorgy Ligeti's String Quartet No. 2 | University of Illinois at Urbana-Champaign | July 1995 | Schultz, Rob
| A Diachronic-Transformational Theory of Musical Contour Relations | University of Washington | June 2009 | Smith, Kathleen Biddick
| Musical Process in Selected Works by Michael Torke | Florida State University | May 2009 | Williams, Justin A
| Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies | University of Nottingham | September 2009 | Yorgason, Brent
| Expressive Asynchrony and Meter: A Study of Dispersal, Downbeat Space, and Metric Drift | Indiana University | August 2009 |