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Volume 14.1 (March 2008)
Articles:
Golan Gur (Ludwig Maximilian University and Humboldt University)
Body, Forces, and Paths: Metaphor and Embodiment in Jean-Philippe Rameau’s Conceptualization of Tonal Space Felix F. Diergarten (Musikhochschule Freiburg)
“At times even Homer nods off”: Heinrich Christoph Koch’s Polemic against Joseph Haydn William Rothstein (Queens College and CUNY Graduate Center)
Common-tone Tonality in Italian Romantic Opera: An Introduction Commentaries:
Michael Buchler (Florida State University)
Reconsidering Klumpenhouwer Networks One More Time: A Response to Eight Responses Roger Mathew Grant (University of Pennsylvania)
Hysteria at the Musical Surface Eric Wen (Curtis Institute of Music)
Commentary on Samuel Ng’s review of Peter H. Smith’s Expressive Forms in Brahms’s Instrumental Music: Structure and Meaning in His Werther Quartet Reviews:
David B. Easley (Florida State University)
Review of Christopher Alan Reynolds, Motives for Allusion: Context and Content in Nineteenth-Century Music (Cambridge and London: Harvard University Press, 2003) David Nicholls (University of Southampton)
Review of Ray Allen and Ellie M. Hisama, eds., Ruth Crawford Seeger’s Worlds: Innovation and Tradition in Twentieth-Century American Music (Rochester: University of Rochester Press, 2007) Jonathan Pieslak (The City College of New York)
Review of Kevin Korsyn, Decentering Music: A Critique of Contemporary Musical Research (New York: Oxford University Press, 2003)
Plus
Job
Listings, Upcoming Events,
Calls for Papers,
New Dissertations,
New Books,
and other Announcements
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