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Volume 15.1 (March 2009)
Special Issue: Animating the “Inside” Articles:
John Roeder (University of British Columbia)
Introduction Robin Attas (University of British Columbia)
Metaphors in Motion: Agents and Representation in Transformational Analysis John Roeder (University of British Columbia)
Constructing Transformational Signification: Gesture and Agency in Bartók’s Scherzo, Op. 14, No. 2, measures 1–32 Stephanie Lind (Queen's University)
An Interactive Trichord Space Based on Measures 18–23 of Clermont Pépin’s Toccate no. 3 Mustafa Bor (University of Alberta)
Sonata-Formal Functions and Transformational Processes in the First Movement of Rochberg’s String Quartet No. 6 Stephanie Lind (Queen's University) and John Roeder (University of British Columbia)
Transformational Distance and Form in Berg’s “Schlafend trägt man mich” Scott Alexander Cook (University of British Columbia)
Moving Through Triadic Space: An Examination of Bryars’s Seemingly Haphazard Chord Progressions John Roeder (University of British Columbia)
A Transformational Space Structuring the Counterpoint in Adès’s “Auf dem Wasser zu singen” Reviews:
Jack Boss (University of Oregon)
Review of Michael Cherlin, Schoenberg’s Musical Imagination (Cambridge: Cambridge University Press, 2007) Don Traut (University of Arizona)
Review of Henry Martin, Counterpoint: A Species Approach Based on Schenker’s “Counterpoint” (Lanham, MD: The Scarecrow Press, Inc., 2005)
Plus
Job
Listings, Upcoming Events,
Calls for Papers,
New Dissertations,
New Books,
and other Announcements
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