=== === ============= ==== === === == == = == == === == == == == ==== === == == == == == == == = = == == == == == == == == ==== M U S I C T H E O R Y O N L I N E A Publication of the Society for Music Theory Copyright (c) 1993 Society for Music Theory +-------------------------------------------------------------+ | Volume 0, Number 5 November, 1993 ISSN: 1067-3040 | +-------------------------------------------------------------+ All queries to: mto-editor@husc.harvard.edu +=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+ File: mto.93.0.5.ann 1. Music Theory Midwest: Annual Conference 2. Music Theory Midwest: Call for Papers 3. Canadian University Music Society: Annual Conference 4. Music Performance and Pedagogy: A New Mailing List 5. International Computer Music Conference, 1994 6. Indiana Theory Review: Announcement of a New Volume 7. Texas Society for Music Theory: Call for Papers 8. 4th International Congress on Musical Signification 9. Florida State University Music Theory Society: Annual Meeting 10. Festival of Music by Contemporary Chinese Composers: Call for Papers ----------------------------- 1. Music Theory Midwest: Annual Conference Music Theory Midwest Annual Conference The fifth annual conference of Music Theory Midwest will meet jointly with the eighth biennial Symposium of Research of the Indiana University Graduate Theory Association in Bloomington, Indiana, on **13-15 May 1994.** Sessions will be held in the Musical Arts Center on the Bloomington campus of Indiana University. Conference participants can choose between hotel or graduate dormitory accomodations. A block of rooms has been reserved at the Hampton Inn, the Indiana Memorial Union, and the graduate dormitory, Eigenmann Hall. The Indiana Memorial Union (on campus) is approximately two blocks from the Musical Arts Center (MAC); Eigenmann Hall is approximately six blocks from the MAC; the Hampton Inn is located at 2100 N. Walnut, about two miles from campus. To reserve a room at the Indiana Memorial Union, call (812) 855-2536. Rates: 1 king-size bed: single $64, double $72/night; 2 double beds: single $66, double $74/night; suite (two double beds) $130-150. These rates are subject to an additional 10% hotel tax. When reserving a room indicate that you will be attending the Music Theory Midwest conference. The block of rooms at the Indiana Memorial Union will be held until Friday, 29 April, 1994. To reserve a room at the Hampton Inn, call (812) 334-2100. Rates: Single or Double $46/night + 10% hotel tax. When reserving a room indicate that you will be attending the Music Theory Midwest conference. The block of rooms at the Hampton Inn will be held until Sunday, 1 May, 1994. A free continental breakfast is available; children under 18 free sharing same room with parents. Single occupancy rooms are also available at the graduate dormitory, Eigenmann Hall. A housing reservation form will be sent to MTMW members in the mailing prior to the conference to return to local arrangements. 1993 Rates: 23.50/night + 10% tax. All reservations for Eigenmann Hall must be received by local arrangements by Friday, 29 April, 1994. Accomodations for differently abled individuals are available, as are child care arrangements. Individuals with specific needs are encouraged to contact the local arrangements committee. For further information contact: Jeff Gillespie, Marianne Kielian-Gilbert, co-chairs Local Arrangements Committee School of Music Indiana University Bloomington, IN 47405 e-mail: JLGilles@ucs.indiana.edu Kielian@ucs.indiana.edu (812) 855-8132 ---- Eric J. Isaacson isaacso@silver.ucs.indiana.edu Asst. Prof. of Music Theory isaacso@indiana.bitnet School of Music (812) 855-0296 Indiana University Bloomington, IN 47405 ------------------------------ 2. Music Theory Midwest: Call for Papers CALL FOR PAPERS MUSIC THEORY MIDWEST announces its fifth annual conference at Indiana University Bloomington, Indiana **May 13-15, 1994** The 1994 conference of Music Theory Midwest will be a joint meeting with the Graduate Theory Association of Indiana University. Papers are invited on any subject of interest to music theorists. Proposals for sessions of unusual format and innovative content are welcome. Student submissions are encouraged, and outstanding student presentations at the conference will receive special recognition. Please send five copies of a three- to five-page proposal; one copy of a 100-150 word abstract, suitable for publication; and a list of any special equipment needed, to: Miguel Roig-Francoli, Program Chair School of Music Northern Illinois University DeKalb, IL 60115 Please identify proposals by cover letter only, and mark envelopes "MTMW Abstract" to ensure anonymity. For further information, please write to Miguel Roig-Francoli. Postmark Deadline: January 15, 1994 Music Theory Midwest welcomes members from all geographical areas; an application is atttached. ===================================== CUT HERE ============================ MTMW Membership Registration Form Name (title): Address: Zip: Telephone: (o) (h) e-mail: Academic Aflliation: 1994 membership dues: Regular, $10; Joint (two members, one address), $15; Student, $5. Amt. enclosed: Please make check payable to "MTMW" and send to: John Schaffer MTMW Treasurer School of Music 455 N.Park St. University of Wisconsin Madison, Wl 5370O Your cancelled check will be your receipt. ===================================== CUT HERE ============================ ---- Eric J. Isaacson isaacso@silver.ucs.indiana.edu Asst. Prof. of Music Theory isaacso@indiana.bitnet School of Music (812) 855-0296 Indiana University Bloomington, IN 47405 ----------------------------------- 3. Canadian University Music Society: Annual Conference Canadian University Music Society Societe de musique des universites canadiennes 1994 Conference at the University of Calgary Theory in Progress: A Call for Papers Following the success of two theory colloquia held during the annual meeting of the Canadian University Music Society/Societe de musique des universites canadiennes at Carleton University, the Society will sponsor another colloquium at its forthcoming meeting in Calgary in 1994. The colloquium organizers have chosen the following topic: The Practice of Theory: Analytic and Theoretic Strategies. Examination of the manner in which analysts and theorists approach their respective tasks--the assumptions,methodologies, and goals of modern practice. The colloquium will be organized along lines similar to those held at Carleton in 1993. The general rubric under which the colloquium will operate is "work in progress," although papers ready for publication will be welcome. From applications submitted, three presentations will be chosen. Printed versions of these (in the form of complete papers or abstracts three to five pages in length) will be prepared in advance of the colloquium and be made available to the membership of the Society at large as well as a respondent chosen from the theory community. On the day of the colloquium, the presentations will be delivered (maximum twenty minutes each), a respondent will discuss these both individually and collectively, and the floor of the colloquium will be opened to both the authors and the audience for discussion. Dates (subject to revision by the Board of the Society): 1. December 1. Deadline for submission of a proposal (suggested length two to three pages, double spaced). These proposals should be prepared in such a way as to permit blind reviewing; the author's name should be omitted from the text, but included in an accompanying covering letter citing the proposal's title. Student submissions will be considered for the Proctor Prize where indicated by the author in the covering letter and accompanied by a short abstract of 200-250 words. 2. January 15. Notification of authors chosen for the colloquium. 3. March 15. Deadline for submission of printed versions of the presentation, in the form of a complete paper or an abstract three to five pages in length. These will then be distributed to the respondent and made available to the membership at large through local CUMS representatives. 4. June 5. Colloquium. Authors submitting proposals for consideration must be members in good standing of the Society. Membership fees are $35 for regular members and $18 for students and retired members. Please submit membership applications to: Dr.Anne Hall, Faculty of Music, Wilfrid Laurier University, Waterloo, Ontario N2L 3C5. Submissions should be sent to the following address: CUMS/SMUC Theory Colloquium, Department of Music, University of Ottawa, Ottawa, Ontario, K1N 6N5 **************************************************** Canadian University Music Society Societe de musique des universites canadiennes Congres annuel, Universite de Calgary, 1994 Colloque de theorie : Appel d'offres de presentations Pour faire suite aux deux colloques speciaux de theorie musicale presentes dans le cadre de son dernier congres a l'Universite Carleton, la Societe de musique des universites canadiennes origanisera une autre session speciale lors de son congres de 1994, qui se tiendra a l'Universite de Calgary. Les organisateurs de cette session ont choisi le theme suivant: La pratique theorique : Strategies analytiques et theoriques Il s'agit d'etudier la facon qu'ont les theoriciens et les analystes d'aborder leurs disciplines, c'est-a-dire d'examiner leurs hypotheses de base, leurs methodologies et leurs buts. Le colloque aura a peu pres le meme format qu'en 1993. Les participants y presenteront des travaux en cours, bien que des textes deja prets a etre publies soient aussi acceptes. On choisira trois participants, qui devront preparer des versions ecrites, soit completes soit abregees (de trois a cinq pages), de leurs presentations. Les membres de la Societe, ainsi qu'un repondant, auront ensuite acces a ces versions ecrites. Le jour du colloque, les participants presenteront d'abord leurs travaux a tour de role (ils disposeront chacun de 20 minutes). Puis, le repondant traitera des differentes presentations. Finalement, le public sera invite a discuter avec les participants. Dates limites (sujettes a revision): 1. 1er decembre : Soumission des offres de participation (de deux a trois pages a interligne double). Ces soumissions devront etre anonymes et accompagnees d'une lettre en identifiant l'auteur. Les etudiants qui desirent que leurs soumissions soient evaluees par le jury du Prix Proctor devront le faire savoir clairement dans leur lettre et joindre un resume de 200 a 250 mots. 2. 15 janvier : Les participants choisis sont contactes. 3. 15 mars : Les participants font parvenir leur presentation, soit complete soit abregee (trois a cinq pages), aux origanisateurs. Ces documents sont ensuite distribues au repondant et aux representants de la Societe dans les diverses universites. 4. 5 juin : Colloque. Les soumissionnaires doivent etre membres en regle de la Societe. Les cotisations sont de 35 $ pour les membres reguliers et de 18 $ pour les membres etudiants et les membres a la retraite. On peut devenir membre en ecrivant a l'adresse suivante : Dr. Anne Hall, Faculty of Music, Wilfrid Laurier University, Waterloo, ONTARIO N2L 3C5. Les soumissions doivent etre envoyees a l'adresse suivante: Colloque de theorie de la SMUC, Departement de musique, Universite d'Ottawa, Ottawa, ONTARIO K1N 6N5. Murray Dineen PDineen@acadvm1.uottawa.ca PDineen@uottawa.bitnet ------------------------------- 4. Music Performance and Pedagogy: A New Mailing List Mailing list for Muisic Performance and Pedagogy MUSPRF-L on LISTSERV@CMSUVMB - Music Performance and Pedagogy List This is an unmoderated list providing information, discussion and ideas concerning Music Performance and Pedagogy for any interested parties. Subjects for discussion include, but are not limited to, repertoire, performance practices, aesthetics, and pedagogy as applied to music in performance. On occasion solicited or submitted articles or essays will be posted to the list as a starting point for discussion. Individuals wishing to post original articles or essays longer than 200 lines are asked to send them directly to one of the list owners. To subscribe to the list, send the following command to LISTSERV@CMSUVMB via mail or interactive message: SUB MUSPRF-L your_full_name Where "your_full_name" is your name. For example: TELL LISTSERV@CMSUVMB SUB MUSPRF-L John Doe Owners: Michael Bersin or Charles McAdams or -------------------------------- 5. International Computer Music Conference, 1994 INTERNATIONAL COMPUTER MUSIC CONFERENCE 1994 Aarhus Denmark, September 12-17, 1994 Submission deadline: February 1, 1994 ICMC 1994 Musikhuset Aarhus Thomas Jensens All DK-8000 Aarhus C Denmark Tel: +45 8931 8171 Fax: +45 8931 8166 Email: ICMC94@daimi.aau.dk Please use the following numbers before November 18, 1993: Tel: +45 8620 2855 Fax: +45 8620 2276 Contents: 1) Conference Description 2) Program Schedule 3) Registration Procedure 4) Submission Procedure ------------------------------------------------------------------------ ICMC 1994: The Human Touch Since the first conference in 1974, the annual International Com- puter Music Conference has developed into the principal interna- tional forum for the interchange of artistic, scientific, en- gineering and philosophical research in the field of computer music and music technology. The ICMC consists not only of paper sessions, but a variety of other activities as well, including hardware and software demonstrations, studio reports, special in- terest group meetings and a trade exhibition. An integral part of an ICMC is the professional performance of computer music compo- sitions: usually around ten concerts are presented at each conference. Recent conferences have been held in Glasgow (in con- nection with European City of Culture 1990), Montreal (1991), San Jose, California (1992). and Tokyo in September 1993. ICMC 1994 will be held in Aarhus, Denmark, September 12-17. The Aarhus ICMC will be organized by DIEM, Denmark's national center of elec- troacoustic music. The theme of the 1994 conference is "The Human Touch", focusing on the many aspects of human-machine interaction by highlighting live performance and presenting new developments in the area of user interface and instrument design. The 1994 ICMC will present a wide variety of outstanding soloists, ensem- bles and orchestras performing with computers. Featured guest ar- tist, Michel Waisvisz, from Holland, explores the possibilities of the human touch in his exciting solo performances using "The Hands". The Cikada ensemble from Oslo and the Athelas Sinfonietta from Copenhagen have both specialized in repertoire for acoustic instruments combined with computers. The Aarhus-based profession- al dance company, Marie Brolin-Tani Dance Theater, will present an evening of computer music and ballet. And the closing concert will feature the Aarhus Symphony Orchestra. The call for music submissions includes a description of these performance groups and encourages composers to send works involving computers with instruments and dance. In addition to the performances of submit- ted works selected by an international jury, the 1994 ICMC will premiere two ICMA commissions as well as five new works by lead- ing Nordic composers commissioned by DIEM. There will be a total of 11 concerts including an outdoor performance with fireworks and computer music! A special-edition compact disc with selected works from the ICMC 1994 concert programs will be distributed to all delegates. Aarhus is Denmark's next largest city after Copenhagen with about 260,000 inhabitants, offering all the advantages of a major city within a relaxed and pleasant environment. The entire conference will be held in the heart of Aarhus in and around the beautiful Concert Hall Aarhus. Great care has been taken to ensure that conference delegates can move easily from their hotels to the pa- per sessions to the concerts with no more than a five minute walk between locations! British composer Trevor Wishart, known for his extensive work with computers and the human voice, will give the keynote speech and perform his own new work for solo voice and computer. Miller Puckette from IRCAM will present a special talk. Mr. Puckette's important work in developing the graphic programming environment, MAX, is highly regarded among computer music practitioners. Four full days of paper sessions, demonstrations and poster sessions will present the latest research in the many areas of computer music, including recent hardware and software developments. A special panel session will be devoted to the effect of computer technology on the musical thinking of the composer and performer. A vendor exhibition showing products related to computer music will be open to delegates as well as the general public in the foyer of the concert hall. Prior to the conference itself, four workshops will be held. The topics are Digital Signal Processing, The Kyma Sound Specifica- tion Language, The Aesthetics of Computer Music and Interactive Composition. The colorful and impressive Aarhus Festival, one of the largest festivals in Northern Europe, will be held September 2-11, immediately prior to the conference. ICMC in Aarhus promises to be an inspiring and exciting event. With emphasis on convenience for delegates, high standards of mu- sical performance and comfortable conference facilities, we will do our best to bring the human touch to ICMC 1994. We look for- ward to welcoming conference delegates to Aarhus in September 1994. Wayne Siegel Conference Chairman ------------------------------------------------------------------------ ICMC 1994: Aarhus, Denmark Program Schedule (subject to change) Monday September 12 10:00 - 13:00 Workshop 1: Digital Signal Processing (Perry Cook) 14:00 - 17:00 Workshop 2: KYMA (Carla Scaletti) Tuesday September 13 10:00 - 13:00 Workshop 3: Aesthetics of Computer Music (Trevor Wishart) 14:00 - 17:00 Workshop 4: Interactive Composition (George Lewis) 17:00 - 20:00 Early Registration 20:00 - 22:00 Concert 1: Cikada Ensemble Wednesday September 14 08:00 - 20:00 Registration and Information 09:00 - 12:00 Paper sessions 1 13:00 - 14:30 Concert 2 14:40 - 17:00 Paper sessions 2 17:30 - 19:00 ICMC Reception (Host: City of Aarhus) 20:00 - 22:00 Concert 3: Performance and Multi Media 22:30 - 23:00 Concert 4: Fireworks and Computer Music Thursday September 15 08:00 - 20:00 Registration and Information 09:00 - 12:00 Paper sessions 3 13:00 - 14:30 Concert 5 14:40 - 15:30 Special Talk (Miller Puckette) 15:40 - 17:00 Paper sessions 4 19:30 - 20:00 Keynote Address (Trevor Wishart) 20:00 - 22:00 Concert 6: Athelas Sinfonietta Friday September 16 08:00 - 17:00 Registration and Information 09:00 - 12:00 Paper sessions 6 13:00 - 14:30 Concert 7 14:40 - 15:30 Special Panel (Stephen Pope, chair) 15:40 - 16:30 Paper sessions 7 17:30 - 20:00 ICMA Banquet 20:30 - 22:30 Concert 8: Marie Brolin-Tani Dance Theater Saturday September 17 09:00 - 12:00 Paper sessions 8 13:00 - 14:30 Concert 9 14:40 - 16:30 Paper sessions 9 16:30 - 18:00 ICMA general assembly 20:00 - 22:00 Concert 10: Aarhus Symphony Orchestra 22:30 - 24:00 Concert 11: Computer-jazz ------------------------------------------------------------------------ Registration Procedure For a copy of the first announcement and submission form contact the ICMC secretariat at the above address. A conference registration form must be completed and mailed before July 1, 1994 to avoid late registration fees. All ICMA members receive a 25% reduction in the Conference and Tutorial Workshop Fees. An ICMA Membership Form is enclosed in the first announcement. Registration Fee The registration fee covers admittance to all ICMC 1994 concerts, paper sessions, demonstrations sessions and receptions. The fee also includes a copy of the 1994 ICMC Proceedings, a special edition compact disc and the complete concert program. Prices are as follows: Before July 1 After July 1 ICMA member Dkk 1,800 Dkk 2,200 Non-member Dkk 2,500 Dkk 2,900 Student ICMA member Dkk 950 Dkk 1,200 Student non-member Dkk 1,300 Dkk 1,600 The rate of exchange as of August 15, 1993 was US$ 1.00 = Dkk 6.80 ------------------------------------------------------------------------ Submission Procedure All submissions must be received by February 1, 1994. Music Submissions: Music to be performed at the conference will be selected by an international committee. The following categories of music works will be considered: Live Computer Music, Computer Generated Tape, Algorithmic Compositions, Music for Instruments and/or voices and Computers, Music for Experimental Instruments and Computers, Computer Music with Visual Art, Computer Music and Dance, Computer Music Installations. Papers and Demonstrations Submissions: Submissions from any field of computer applications in music and audio will be considered. Submissions are encouraged on substantial, original, and previously unpublished research on all aspects of computer music, including the conference theme, "The Human Touch". A limited amount of space is available for the demonstration of non-commercial systems, methodologies and new technologies. Submissions will be reviewed and selected by an international committee. --------------------------- 6. Indiana Theory Review: Announcement of a New Volume INDIANA THEORY REVIEW Volume 14/2 (Fall 1993): Music Theory Pedagogy David Butler and Mark Lochstampfor, "Bridges Unbuilt: Aural Training and Cognitive Science." Michael Cherlin, "On Adapting Theoretical Models from the Work of David Lewin." Robert Gauldin, "Fux to Bach: Bridging the Gap." Steve Larson, "The Value of Cognitive Models in Evaluating Solfege Systems." Craig Cummings, Review of Paul Wilson, "The Music of Bela Bartok." Volume 15/1 (Spring 1994): Schenkerian Theory Essays and reviews by James Buhler, Howard Cinnamon, David Gagne, Steve Larson, Kip Montgomery, Heather Platt, and Ronald Rodman. Subscribing information: Individuals $12/yr. $20/2 yrs. Institutions $15/yr. $26/2 yrs. Subscribers outside the U.S. should add $3/yr. for postage. Checks should be made payable to "Indiana University Foundation - ITR". Subscriptions and other queries should be addressed to: Indiana Theory Review School of Music Indiana University Bloomington, IN 47405 U.S.A. --------------------------------------- 7. Texas Society for Music Theory: Call for Papers CALL FOR PAPERS Joint Meeting Texas Society for Music Theory Sixteenth Annual Meeting South Central Society for Music Theory Eleventh Annual Meeting March 4-5, 1994 Lamar University, Beaumont, TX Keynote Speaker: Elizabeth West Marvin "Cognition: What Implications for Music Theory Pedagogy" The societies invite the submission of scholarly papers of an analytic, pedagogical, or speculative nature. Topics may include any aspect of music theory and music of any style, period, or region. A cash prize is available for a student presentation displaying scholarly excellence as judged by an awards panel. Please submit SIX COPIES of a detailed proposal of 3 to 5 double-spaced typed pages, omitting your name. Also send an abstract of no more than three hundred words for publication inthe Proceedings. In a cover letter include the title of your paper, your name, your telephone number, any technical or equipment requirements, and indicate if you are a student. POSTMARK DEADLINE: January 4, 1994. Send the above to: Roger Graybill Department of Music University of Texas Austin, TX 78712 Submitters will be notified of selection in late January. Student presenters wishing to be considered for the student award must send two copies of the complete paper to the judging panel by February 15. A program will be announced in February, with registration and travel information. ------------------------------ 8. 4th International Congress of Musical Signification Fourth International Congress on Musical Signification (1) Submissions are being considered for the 4th International Congress on Musical Signification. As yet no deadline for submissions. The Congress will be held in Paris, at the Finnish Cultural Institute, 10-14 October 1994. Abstracts should be sent to the address in no. 2, below. (2) Submissions are being accepted for a panel session on "Musical Semiotics in the 1990s: Theoretical Alternatives," to take place at the Fifth Congress of the International Association for Semiotic Studies, 12-18 June 1994, University of California at Berkeley. Deadline for abstract submission, 31 December 1993. Anyone interested in participating in this session should contact Eero Tarasti, Chair, Dept. of Musicology, University of Helsinki, Vironkatu 1, 00170 Helsinki, Finland. E-mail (Internet): forsell@cc.helsinki. fi FAX: 358 - 0 - 191 7955 Anyone with questions feel free to contact me. Richard_Littlefield@Baylor.edu ---------------------------- 9. Florida State University Music Theory Society: Annual Meeting Florida State University Music Theory Society: Annual Meeting The Florida State University Music Theory Society will hold its Twelfth Annual Music Theory Forum on Saturday, February 5, 1994, in Tallahassee, Florida. The featured speaker will be William Rothstein. Papers on any theory related topic are welcomed for submission. Please submit five copies of a proposal (of three pages or less in length) including title, but without author's name, along with a cover letter that includes the title of the paper as well as the name, address, and telephone number of the author. Each presentation should be approximately 20-30 minutes long. Please submit by December 1 to guarantee consideration (however, anything received by December 15 will probably be considered). Papers will be read blind by a committee; authors whose papers are accepted will be notified by January 5, 1994. Mail proposals to Nora K. Loyd, Music Theory Society, School of Music, Florida State University, Tallahassee, FL 32303-2098. For further information, call Ms. Loyd at (904) 644-1007, or send e-mail to loyd_n@cmr.fsu.edu. Nora K. Loyd, President, FSU Music Theory Society loyd_n@cmr.fsu.edu --------------------------------- 10. Festival of Music by Contemporary Chinese Composers: Call for Papers Festival of Music by Contemporary Chinese Composers State University of New York at Buffalo 16-17 April 1994 CALL FOR PAPERS The Festival of Music by Contemporary Chinese Composers is taking place 16-17 April 1994 at the State University of New York at Buffalo. Sponsored by the Music Department and various other university offices and student groups, this festival will feature concerts of music by contemporary Chinese composers from different countries. There will also be paper sessions on contemporary Chinese music and theorists and historians interested in this subject are invited to submit papers. 300-word final abstracts of presentation are due 20 January 1994 and questions should be directed to: Kenneth Kwan 222 Baird Hall Music Department SUNY Buffalo Buffalo, NY 14260 Tel: (716)862-0548 Internet: ckkwan@acsu.buffalo.edu Bitnet: V537UE8Y@ubvms.BITNET +=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+ Copyright Statement [1] Music Theory Online (MTO) as a whole is Copyright (c) 1993, all rights reserved, by the Society for Music Theory, which is the owner of the journal. Copyrights for individual items published in (MTO) are held by their authors. 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