=== === ============= ==== === === == == == == == === == == = == ==== === == == == == == == == = == == == == == == == == == ==== M U S I C T H E O R Y O N L I N E A Publication of the Society for Music Theory Copyright (c) 1994 Society for Music Theory +-------------------------------------------------------------+ | Volume 0, Number 7 March, 1994 ISSN: 1067-3040 | +-------------------------------------------------------------+ All queries to: mto-editor@husc.harvard.edu +=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+ File: mto.94.0.7.job 1. Asst. Prof. of Music Education/Choral Music, Jordan College of Fine Arts, Butler University 2. Electronic and Computer Music, Conservatory of Music at Oberlin College 3. Expermentalstudio der Heinrich-Strobel-Stiftung, Freiburg, Germany ------------------------------------------ 1. Asst. Prof. of Music Education/Choral Music, Jordan College of Fine Arts, Butler University POSITION: Assistant Professor of Music Education/Choral Music. Tenure Track Position RESPONSIBILITIES: Teaching choral methods, supervising student teachers, and conducting a variety of choral ensembles. Other teaching assignments dependent upon interests and qualifications. QUALIFICATIONS: Highly successful secondary teaching experience required. Collegiate experience and doctorate preferred. Broad background in choral/vocal music education and performance, with possible interests in jazz or multi-cultural music or current music technologies. SALARY: Competitive and commensurate with qualifications. EFFECTIVE DATE: Fall Semester, 1994 APPLICATION: Send letter of application, vita, and three current recommendations to Professor Henry H, Leck Music Search Committee Chair Jordan College of Fine Arts Butler University 4600 Sunset Avenue Indianapolis, IN 46208 SCREENING; Review of applications will continue until position is filled. ------------------------------------------- 2. Electronic and Computer Music, Conservatory of Music at Oberlin College NOTICE OF FACULTY VACANCY IN ELECTRONIC AND COMPUTER MUSIC The Conservatory of Music at Oberlin College invites applications for a non-continuing, full-time position in the Technology in Music and Related Arts Program (TIMARA) for the first and second semesters, 1994-95. The Conservatory of Music is America's oldest school dedicated to the training of professional musicians. Founded in 1865, it was the first college-affiliated conservatory in the United States. Its students are enrolled in undergraduate programs leading to the Bachelor of Music in performance, composition, music education, music history, historical performance, electronic and computer music, and jazz studies; graduate programs leading to a master of music in conducting, historical performance, opera theater, master of music education, or master of music in teaching. Performance and artist diplomas are also offered. The Conservatory and College have earned national reputations of excellence based upon the quality of the student body (drawn from every state in the union and abroad), fine faculty, and excellent facilities. The TIMARA Program offers a four-year curriculum leading to a Bachelor of Music degree in electronic and computer music. There are two full time teaching faculty, a full time music engineer, and a part time teacher of studio recording. There are 25-30 majors. The individual appointed will have general responsibility for and will perform the following specific duties: 1. Teaching courses in analog and digital sound synthesis, computer music software, and multi-track recording techniques. 2. Participation in meetings and activities of the TIMARA Program Committee and the Conservatory of Music. Qualifications include: 1. Advanced degree. A doctorate in composition or computer music is preferred but persons nearing completion of a doctorate will also be considered. 2. Demonstrated experience and achievement in digital and analog signal processing, sound synthesis, computer programming, and composition. 3. Experience with interactive computer music systems in performance. Interested persons should submit credentials to Karen L. Wolff, Dean, Oberlin College Conservatory of Music, Oberlin, Ohio 44074. All credentials should be postmarked by March 1, 1994 to ensure consideration. Those received after that date will be considered until the position is filled. The appointment will be made at the rank of Instructor or Assistant Professor. Salary will be commensurate with experience and qualifications. ---------------------------------------- 3. Expermentalstudio der Heinrich-Strobel-Stiftung, Freiburg, Germany The Experimentalstudio der Heinrich-Strobel-Stiftung / Freiburg - Germany has a job-opening in the field of live-electronics. The studio is renowned for its pioneering efforts in the field of live-electronics and is a leading institution in this area for composition, reasearch and performance. The studio is affiliated with the South West German radiostation. Prerequisites are a degree in music with emphasis on electronics and audio technology, a high level of competence in software-development and computer applications for music, experience as a musician, (electronic) instrumentalist and "Klangregisseur" (artistic competence combined with audio engineering knowledge) in the domain of contemporary music ("avantgarde"). Responsibilities will include to cooperate with composers and musicians in the realization of works with live-electronics, to do the "Klangregie" for concerts, and to develop software geared towards artistic applications in conjunction with new hardware-developments of the studio. Pay will be according to background and experience and is based on the pay-scale of German radio stations (very good social benefits etc.) Inquiries should be sent to the director of the Experimentalstudio: Andre Richard Experimentalstudio des SWF Kartaeuserstr. 45 79102 Freiburg GERMANY Fax: Germany 761-380 82 75 +=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+ Copyright Statement [1] Music Theory Online (MTO) as a whole is Copyright (c) 1994, all rights reserved, by the Society for Music Theory, which is the owner of the journal. Copyrights for individual items published in (MTO) are held by their authors. Items appearing in MTO may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may *not* be republished in any form, electronic or print, without prior, written permission from the author(s), and advance notification of the editors of MTO. [2] Any redistributed form of items published in MTO must include the following information in a form appropriate to the medium in which the items are to appear: This item appeared in Music Theory Online in [VOLUME #, ISSUE #] on [DAY/MONTH/YEAR]. It was authored by [FULL NAME, EMAIL ADDRESS], with whose written permission it is reprinted here. [3] Libraries may archive issues of MTO in electronic or paper form for public access so long as each issue is stored in its entirety, and no access fee is charged. Exceptions to these requirements must be approved in writing by the editors of MTO, who will act in accordance with the decisions of the Society for Music Theory. +=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+ END OF MTO ITEM