| Author |
Title |
Institution |
Completed |
Antonio Jardim
| Music: vigency of poetical thinking | UFRJ Doctor in Poetics | December 1997 | Argentino, Joe R
| Transformations and Hexatonic Tonnetz Spaces in Late Works of Schoenberg | The University of Western Ontario | February 2010 | Brass, Christophe
| La basse fondamentale dans le Clavier bien tempéré de J. S. Bach | Université Strasbourg II (= Université Marc Bloch) | September 2001 | Cairns, Zachary A.
| Multiple-Row Serialism in Three Works by Edison Denisov | University of Rochester (Eastman School of Music) | April 2010 | Chor, Ives
| Cognitive Frameworks for the Production of Musical Rhythm | Northwestern University | June 2010 | Duncan, Stuart P
| The Concept of New Complexity: Notation, Interpretation and Analysis | Cornell University | May 2010 | Gonzalez-Lizausaba Oswaldo
| L'analyse ondulatoire : une approche morphologique de l'analyse musicale | Doctor in Arts & Sciences of art - Université de Paris 1 | March 2010 | Hoffmann, Peter
| Music Out of Nothing? A Rigorous Approach to Algorithmic Composition by Iannis Xenakis | Technische Universität Berlin | December 2009 | Isaacson (Gozali) Atara
| Cantabile in the Romantic Piano Concerti with Emphasis on Schumann, Liszt and Brahms | Bar Ilan University | November 2006 | Manning, David J.
| Harmony, Tonality and Structure in Vaughan Williams's Music | Cardiff University | December 2003 | McCandless, Gregory R.
| Rhythm and Meter in the Music of Dream Theater | Florida State University | January 2010 | Oravitz, Michael
| Metric Patterning and its Effects on Phrasing and Form in Selected Debussy Preludes | Indiana University | July 2005 | Osborn, Brad T.
| Beyond Verse and Chorus: Experimental Formal Structures in Post-Millennial Rock Music | University of Washington | June 2010 | Power, Richard S.
| An Analysis of Transformation Procedures in Gyorgy Ligeti's String Quartet No. 2 | University of Illinois at Urbana-Champaign | July 1995 | Reddick, Carissa A
| Formal Fusion and Rotational Overlap in Sonata Forms from the Chamber Music of Brahms, Dvořák, Franck, and Grieg
| University of Connecticut | November 2009 | Roy, Subroto, M C
| Examining Avartan in Khayal | University of Pune, India | May 2008 | Searby, Michael D
| An investigation of the transformation of compositional process in György Ligeti's music 1974-85, with particular reference to pitch | Goldsmiths College. London | July 2006 | Seltzer, Linda, A.
| The Unblinking Eye, Literary Theory in the Analysis of Debussy's Pelleas et Melisande | Princeton University | June 2011 | Williams, Justin A
| Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies | University of Nottingham | September 2009 | Zagalaz, Juan C.
| Innovaciones melódico - armónicas en la improvisación Jazzística. Un recorrido a través de Body and Soul. (1935 -1945). | Universidad de Jaén | January 2010 |